
(Although I am currently in Miami, I’ve written this by jogging the memory of my last visit home)
This could have been me. This could have been you.
I am standing in front of a dirt grave that is sloppily marked with a brick-sized piece of cement with the engravings “John Doe 15-20.” These are the plots of the anonymous. The first number marks the row and the second number marks the column where the brick belongs. The only thing known about them is that they came across daunting desert terrain from Mexico, Central, and South America in hopes of some better life with an adequate amount of food, shelter, and clothing for their family and that they didn’t make it. I look to my left then I look to my right and I see these rows and columns of soft dirt marked only with the blocks that any punk kid could kick over to the next grave in a nonchalant act of boredom.
This is the resting ground of the unsuccessful immigrant. The name: Potter’s Field.
The setting is in a simple graveyard, naked of any afterthought of the dead. The border of the place is un-kept desert land filled with tumbleweeds and un-kept farmland filled with broken down farm equipment. Down the dirt pathway outside of the graveyard, you come across a wall of poisonous oleanders. Just beyond this wall is a quaint, small-town cemetery filled with ornate headstones and freshly placed flowers. A well-manicured lawn and a large American flag justly decorate the place. As you walk out you see the sign “Terrace Park Cemetery.” Then it is a desert agricultural paradise all around you.
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